Sunday, September 17, 2023

Crossing the Bridge

Here 


BY NICHOLAS GOODLY

There is a moment
on the bridge,
piles of clothes
along the margin.
The pile
is behind you,
the moment is
you looking
in the rearview.
Somewhere,
a clean white
minivan,
a family
gathering
fallen luggage.
You are
the margins.
The moment
is looking
back at you.
The bridge
is between
you and
the moment
you look in
the rearview.
It is only
the bridge,
it is in the shape
of you, the bridge.
The bridge is you,
you a part of it,
somewhere.
The bridge
is nothing,
only
the shape
of
it
now.
It is behind you.

I Love You, But

 BY RICARDO RUIZ

Mi Jefita looks distraught,
oscillating between
her own history and my soul.

Hours, days, months with her knees
bent pidiĆ©ndole a la virgin
Que me cuidara as I fought in
Afghanistan.

Now she’s staring into hell's image,
Bouguereau's Dante and Virgil
groping with each spin of the
wooden spoon

as the red paste rises to a boil,
splattering her apron
with my childhood favorite meal.

I love him, he’s my best friend, the
one who slept on my couch

when I wanted to put my AR to
my mouth and be another dead vet.

I would have died for this country
because I believe it’s for me and
him.

I may have to marry him,
I tell the most important women in
my life.

                                 My Fiance
                                 My Mother

I will marry him,
cause we ain’t goin’ nowhere.

2,572 miles separate Moses Lake,
Washington,
my place of birth

and Colima, Mexico, his.
Neither of us had a role in how we
got here.

Crows in a Strong Wind

Here 

Crows in a Strong Wind

Off go the crows from the roof.
The crows can’t hold on.
They might as well
Be perched on an oil slick.

Such an awkward dance,
These gentlemen
In their spottled-black coats.
Such a tipsy dance,

As if they didn’t know where they were.
Such a humorous dance,
As they try to set things right,
As the wind reduces them.

Such a sorrowful dance.
How embarrassing is love
When it goes wrong

In front of everyone.

Tuesday, September 5, 2023

The Moon and the Yew Tree

by Sylvia Plath

This is the light of the mind, cold and planetary.
The trees of the mind are black. The light is blue.
The grasses unload their griefs at my feet as if I were God,
Prickling my ankles and murmuring of their humility.
Fumy spiritous mists inhabit this place
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.
The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky —
Eight great tongues affirming the Resurrection.
At the end, they soberly bong out their names.

The yew tree points up. It has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness —
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars.
Inside the church, the saints will be all blue,
Floating on their delicate feet over cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness — blackness and silence.